From audiences peering down from the balcony in Tate Modern to witness Silver Swan, to a close-up encounter with performers in specimen jars in Under Glass, CLOD ENSEMBLE’s work often encourages people to see familiar spaces and situations from a new perspective.
In this interview with Monocle Radio’s Culture show, Artistic Director Suzy Willson talks about the transformative role of immersive theatre and the CLOD ENSEMBLE’s relationship to it.
At once a museum exhibit, an installation and a medical laboratory
This interview was originally published on Arts Professional, 27 May 2020. by Paul Clark, Co-Artistic Director of CLOD ENSEMBLE. I write music for stage productions, mainly with CLOD ENSEMBLE, the...
Under Glass has been nominated for a Manchester Theatre Award in the Special Entertainment category. Read the full list of nominations here. Artistic Director Suzy Willson said: “We are thrilled...
From audiences peering down from the balcony in Tate Modern to witness Silver Swan, to a close-up encounter with performers in specimen jars in Under Glass, CLOD ENSEMBLE’s work often...
Murdering to Dissect by Daniel Glaser appeared in the original 2009 production programme for Under Glass Under Glass is not a romantic piece, but the illumination of its encapsulated human...
